Concurso para Atribuição de Bolsas de Doutoramento e Pós-Doutoramento – 2016

O Centro de Estudos Internacionais (CEI-IUL) informa  que o concurso da Fundação para a Ciência e Tecnologia (FCT)  para  atribuição de Bolsas Individuais de Doutoramento, Doutoramento em Empresas e Pós-Doutoramento estará aberto entre 15 de junho e 15 de julho.O CEI-IUL aceita ser unidade de acolhimento de propostas enquadradas nas suas três linhas de investigação (Instituições, Governação e Relações Internacionais; Desafios Societais e do Desenvolvimento; Economia e Globalização) e áreas regionais (África, Ásia, Europa e Relações Transatlânticas).O CV e a proposta de projeto, bem como a carta de motivação, devem ser submetidos previamente à Comissão Científica do CEI-IUL até ao dia 1 de julho de 2016, para o e-mail:

Qualquer outro esclarecimento pode ser obtido pelo mesmo endereço de e-mail.


Horace Nicholls: artist-photographer at war – AHRC studentship in collaboration with Imperial War Museums (IWM) and University of Brighton

Applications are invited for an AHRC-funded PhD at the University of Brighton: “Horace Nicholls: artist-photographer at war”. This is offered under the AHRC Collaborative Doctoral Partnership programme. The partner institutions are the University of Brighton and IWM. The studentship will be supervised by Professor Darren Newbury and Professor Francis Hodgson at the University of Brighton, and Hilary Roberts of IWM London. This full-time studentship, which is funded for three years at standard AHRC rates, will begin on 1 October 2016.

The Project

Horace W. Nicholls was one of Britain’s best known photographers of the early twentieth century. As one of the world’s first true photojournalists, his work shaped that of succeeding generations. Nicholls reported the 2nd Anglo-Boer War in South Africa. He established legal copyright in photographs in a landmark court case in 1901. He documented the impact of total war on the British people, and, as Britain’s first official photographer on the Home Front, had unique access, particularly to women war workers. After the war, he became the new Imperial War Museum’s Head of Studio (Chief Photographer) where he worked to secure and develop the IWM’s photographic collections and documented the evolution of commemorative activities. Today, many of Nicholls’ photographs are familiar but little is known about the man who took them. There has been no significant research, publication or exhibition of his work for forty years. 2017 will be the 150th anniversary of the birth of Horace W. Nicholls and the centenary of his appointment as the first Ministry of Information Home Front official photographer in the First World War. It is also the centenary of IWM’s request to Government that he create a photographic essay of women’s contribution to the war effort.

Horace Nicholls’ archive, comprising photographs, sketches, documents and printed materials, is now dispersed and little known – a factor which has contributed to his disappearance from public view. The archive is preserved as part of the Royal Photographic Society collection (pre-1914), by the IWM (for the period 1914-36), and by the Horace Nicholls estate. This project will examine these three collections in the context of the First World War centenary; properly evaluate the achievements of Horace Nicholls; the influences that drove him; and the significance of his legacy in terms of:

  1. The evolution of photography as an international mass medium, a form of international propaganda and commemorative medium.
  2. The development of professional photojournalism.
  3. Photography’s capacity to act simultaneously as a medium of art and information and the consequences of this tension for contemporary understanding of the meaning of modern conflict.
  4. Public understanding of the impact of war on civilians in the early twentieth century.
  5. IWM’s early activities as a collector/commissioner of photography.


Subject to AHRC eligibility criteria, the scholarships cover tuition fees and a grant (stipend) towards living expenses. The value of the stipend for 2016/17 is yet to be confirmed. However, it is likely to be £14,296 plus £550 additional stipend payment for Collaborative Doctoral Students. For more information visit this funding guide. In addition, the student is eligible to receive up to £1,000 a year from IWM and £1,000 a year from the University of Brighton towards research expenses.

How to apply

Applicants should submit via email a curriculum vitae (no more than 2 pages), a sample of writing, a brief letter outlining their qualification for the studentship, and the names and contact details of two academic referees to Emily Peirson-Webber, Research Manager, IWM ( no later than 5pm on Thursday 7 April 2016. Please ensure the subject line of your email appears as ‘surname, first name – IWM/Brighton studentship.’

Interviews are scheduled to be held in London the week beginning 25th April 2016. Shortlisted candidates will be asked to complete an application to the College of Art and Humanities Doctoral Programme at the University of Brighton. For further information please contact Emily Peirson-Webber ( | 020 7416 5461).

Applicants should have a good undergraduate degree in a relevant discipline, satisfy AHRC eligibility requirements including Masters-level advanced research training or equivalent, and be able to demonstrate an active interest in the history of photography, journalism or some aspect of the visual media.

Applicants must be a resident of the UK or European Economic Area (EEA). In general, full studentships are available to students who are settled in the UK and have been ordinarily resident for a period of at least three years before the start of postgraduate studies. Fees-only awards are generally available to EU nationals resident in the EEA. International applicants are normally not eligible to apply for this studentship.

Deadline for applications: 5pm on Thursday 7 April 2016